 |
 |
Alexander Stankovski In contrast with the stringency and precision of his music, which has something of the transparency of Renaissance counterpoint, Stankovski surprises with his openness towards non-classical music culture, his political stridency and his advocacy of internet as a vehicle of music. |
 |
 |
 |
 |
Robert Wildling is a fine pianist and his speed and fluency on the piano reflect in his open-textured and virtuosic compositions - which are cast for advanced listeners. Yet there is a sparkle and edge in his music, notably in his use of repetition, which makes it a very playful version of Viennese expressionism. |
 |
 |
 |
 |
Bertl Mütter Austria's master improviser uses his voice, trombone and body as a single instrument that draw on classical performance art, Mahler and about any other sound Muetter cares to include. He ingests sound then releases it. A delight to watch and hear. |
 |
 |